Set the scene.
Born in Valletta in 1929, Alden became an artist and teacher. During the 1960s he introduced the hard-edge technique to Maltese art, using clearly defined forms.
Here’s the twist.
Works in the Central Bank collection depict Mnajdra and Tarxien. Their materials include oil paint and fabric collage on canvas: Malta’s ancient stones prompted experiments with modern surfaces.
Why it still matters.
Look at a temple through this approach. Which edges would you simplify? A familiar heritage site can become a starting point for colour, geometry and texture.
🧠 One to think about +
What does this story change about the way you see Malta today? Pick one detail you’d tell a friend — then check its source below.